No. 2 (2026): Ukrainian Art Discourse

Статті

• THE VISUAL IMAGE OF AN ENTERPRISE AS A MEANS OF COMMUNICATION IN THE CONSTRUCTION INDUSTRY AND THE SOCIAL ENVIRONMENT

  Galyna Agieieva

  12-24

  • PDF (Українська)

• ARTISTIC AND STYLISTIC DIMENSION OF ART NOUVEAU AS A TOOL FOR FORMING CONTEMPORARY DESIGN THINKING IN DRAWING

  Yana Antonova

  25-30

  • PDF (Українська)

• THE IMAGE OF A FEMALE FIGURE IN GARDEN AND PARK SCULPTURE

  Adrian Baloh, Viktoriia Pylypchuk

  31-38

  • PDF (Українська)

• FTIR SPECTROSCOPY IN THE STUDY OF ARTISTIC METAL OF IRAN: ANALYTICAL CAPABILITIES OF THE METHOD

  Svitlana Biskulova

  39-49

  • PDF (Українська)

• DEPARTMENT OF FINE AND DECORATIVE ARTS OF BOHDAN KHMELNYTSKY NATIONAL UNIVERSITY OF CHERKASY AS AN ART SCHOOL: TRADITIONS AND PERSONALITIES

  Ivan Bondar, Viktor Afonin, Viktor Oleksenko

  50-57

  • PDF (Українська)

• WHEN FORM MATTERS: SOPHIE TOIBER-ARP’S DADAIST MARIONETTES IN THE PLAY «KING STAG»

  Oleksii Bondar

  58-70

  • PDF (Українська)

• GENESIS OF NARRATIVITY IN PRODUCT DESIGN: CONCEPTS, STAGES, ARTIFACTS

  Bohdan Bondarenko, Kostiantyn Bondarenko

  71-78

  • PDF (Українська)

• VISUAL IDENTITY AS A TOOL FOR SOCIAL INTEGRATION OF TERRITORIAL COMMUNITIES IN A POST-CONFLICT ENVIRONMENT

  Svitlana Borysova, Viacheslav Borysov

  79-87

  • PDF (Українська)

• THE EVOLUTION OF THE USE OF NATURAL WOOD fORMS IN ARTISTIC WOODWORKING IN UKRAINE

  Anatoly Brovchenko, Alla Rudenchenko, Veronika Zaitseva

  88-96

  • PDF (Українська)

• FROM ARTISTIC MANIFESTOS TO DESIGN BRIEFS: THE EVOLUTION OF DESIGN THINKING AND DESIGN LANGUAGE

  Sergey Vergunov, Nataliia Vergunova, Olexander Levadniy, Alla Radchenko, Valentyn Holius

  97-105

  • PDF (Українська)

• TRADITIONAL FORMS AND DECORATION OF CRIMEAN TATAR CERAMIC WATER VESSELS

  Oleksiy Vlasov

  106-115

  • PDF (Українська)

• THE IMPACT OF GREENWASHING ON THE FORMATION OF CONSUMER TRUST IN ECO-FRIENDLY BRANDS IN GRAPHIC DESIGN

  Olga Galchynska, Inga Yermak, Viktoriia Denysenko

  116-122

  • PDF (Українська)

• LATEST TECHNIQUES OF IMAGE FORMATION IN CONTEMPORARY UKRAINIAN EASEL SCULPTURE OF THE EARLY 21ST CENTURY

  Igor Glukhenkij

  123-128

  • PDF (Українська)

• SEVERYN BORACZОK’S MONUMENTAL PAINTINGS IN THE CHURCH OF ST. NICHOLAS IN HLYNIANY: ICONOGRAPHY AND STYLE

  Olha Denysiuk, Oksana Somak

  129-137

  • PDF (Українська)

• THE REGISTAN COMPLEX IN SAMARKAND IN THE CONTEXT OF INTERCULTURAL INTERACTIONS BETWEEN CENTRAL ASIA, IRAN, AND THE BYZANTINE WORLD

  Nataliia Dmytrenko

  138-151

  • PDF (Українська)

• THE USE OF ORNAMENTAL MOTIFS IN THE MODERN IDENTITY OF UKRAINIAN CITIES

  Igor Dudnyk, Natalia Dotsenko

  152-160

  • PDF (Українська)

• FORMATION OF DIGITAL COMPETENCES OF ENVIRONMENTAL DESIGN STUDENTS USING COMPUTER MODELING TOOLS

  Danyil Diakonov

  161-166

  • PDF (Українська)

• COLOR DRAWING AS A TOOL FOR FORMING AN ARTISTIC IMAGE IN GRAPHIC DESIGN

  Nataliia Zhuravlova

  167-172

  • PDF (Українська)

• STORYTELLING AS A TOOL OF VISUAL COMMUNICATION STRATEGIES IN CONTEMPORARY DESIGN

  Viktor Karpov, Alina Marchenko, Myroslav Melnyk

  173-179

  • PDF (Українська)

• SKETCHING AS A TOOL FOR DESIGN THINKING IN PROJECT WORK

  Inessa Karpova, Andrew Zinchenko, Leonid Zvenihorodsky, Nina Ivanova, Anna Korovkina

  180-190

  • PDF (Українська)

• PECULIARITIES OF OBJECT-SPATIAL ENVIRONMENT FORMING INTERIOR DESIGN IN MODERN LIBRARIES

  Igor Kovtun, Svitlana Petrashchuk

  191-198

  • PDF (Українська)

• ETHNOCULTURAL ASPECTS OF DECORATIVE AND APPLIED ARTS IN THE EDUCATIONAL SPACE OF HIGHER EDUCATION INSTITUTIONS

  Nataliia Kolesnyk

  199-205

  • PDF (Українська)

• MORPHOLOGICAL AND COMPOSITIONAL ASPECTS OF THE TRANSFORMATION OF TYPOGRAPHIC FORM IN CONTEMPORARY GRAPHIC DESIGN

  Ihor Коstenko, Olexandra Makovska, Inga Yermak

  206-212

  • PDF (Українська)

• SPATIAL TRANSFORMATION OF AN IMAGE IN THE PROCESS OF ADAPTATION TO CURVILINEAR SURFACES OF THE HUMAN BODY

  Milan Kotiev

  213-222

  • PDF (Українська)

• LIGHT, SPACE, MATERIAL AND DIGITAL TECHNOLOGIES IN THE STAINED GLASS INSTALLATIONS OF THE SOFTlab STUDIO IN NEW YORK

  Yevgen Kotlyar, Yevheniia Sylka

  223-238

  • PDF (Українська)

• FORMATION OF INDIVIDUAL STYLE IN ART AND DESIGN: HISTORICAL AND CULTURAL ASPECT

  Nataliia Kubrysh, Oksana Perepelytsia, Oleh Nedoshytko

  239-249

  • PDF (Українська)

• FEATURES OF PERFORMING STILL LIFE DRAWING IN INTERIOR AS EDUCATIONAL TASK FOR MASTERING GRAPHIC REPRESENTATION OF OBJECTIVE WORLD IN ENVIRONMENT

  Vladyslav Lytvynenko, Viktor Trachuk, Antoninа Sherstinyuk

  250-260

  • PDF (Українська)

• ILLUSTRATED ENCYCLOPEDIA AS A FORM OF KNOWLEDGE VISUALIZATION: THE CASE OF THE MYTHOLOGICAL IMAGE OF THE DRAGON

  Olena Lykholat, Oksana Zdor, Mariia Bezpala

  261-276

  • PDF (Українська)

• CHINESE STILL LIFE IN SCHOLARLY RESEARCH: HISTORIOGRAPHY, PROBLEMS, PERSPECTIVES

  Zheng Lin

  277-282

  • PDF (Українська)

• A STUDY OF THE INFLUENCE OF LINE AND COLOR ON EMOTIONAL PERCEPTION OF ARTISTIC IMAGES IN KAZUMASA NAGAI’S POSTERS

  Olena Mudalige, Volodymyr Lesnyak, Victoriia Maslak

  283-289

  • PDF (Українська)

• THE MYTHOLOGICAL IMAGE OF THE DRAGON IN EASTERN AND WESTERN VISUAL ART: FEATURES OF CONTENT AND FORM

  Stella Muntian, Anastasiia Hrudka

  290-297

  • PDF (Українська)