No. 5 (2025): Ukrainian Art Discourse

Статті

• INTERIOR DESIGN OF ART SPACES IN UKRAINE AS A FORM OF VISUALISATION OF NATIONAL CULTURAL IDENTITY

  Аnna Bilyk, Halina Olijnyk, Serhii Mil

  8-15

  • PDF (Українська)

• METHODOLOGICAL FOUNDATIONS OF DESIGN PROJECTING: THEORETICAL AND PRACTICAL DIMENSIONS

  Oksana Hetman

  16-20

  • PDF (Українська)

• ADAPTIVE DESIGN IN THE GRAPHIC ENVIRONMENT: INTEGRATION OF ARTIFICIAL INTELLIGENCE

  Ivan Grebeniuk

  21-28

  • PDF (Українська)

• CREATION OF THE MUSEUM OF KING DANIEL ROMANOVYCH IN VLODYMYR IN THE CONTEXT OF THE DEVELOPMENT OF THE CULTURAL AND TOURIST POTENTIAL OF THE CITY

  Viktor Karpov, Zoya Zaporozhets

  29-37

  • PDF (Українська)

• BRONZE SCULPTURE PORTRAIT AS A MEANS OF REPRESENTING CHINESE HISTORY (ON THE EXAMPLE OF QIAN SHAOWU’S WORK)

  Mariia Kovalova, Jialong Tian

  38-46

  • PDF (Українська)

• WORLD AND UKRAINIAN TRENDS IN CREATING SOCIAL POSTERS

  Danylo Kolesnyk, Olha Halchynska

  47-56

  • PDF (Українська)

• THE ROLE OF ARTIFICIAL INTELLIGENCE IN THE DEVELOPMENT OF PROJECT-BASED THINKING AMONG DESIGN STUDENTS

  Olena Kolesova, Yuliia Sylenko, Marharyta Ivanova

  57-67

  • PDF (Українська)

• INTEGRATION OF AI IN FIGMA: TOOLS AND PRACTICAL CAPABILITIES

  Lev Kormych

  68-73

  • PDF (Українська)

• BIOPHILIC DESIGN AS AN IMPORTANT COMPONENT OF A SUSTAINABLE DEVELOPMENT STRATEGY (using the example of water elements)

  Svitlana Kryvuts, Kateryna Frolovych

  74-81

  • PDF (Українська)

• CURRENT TRENDS IN CHILDREN’S BOOK DESIGN: FROM CLASSICAL ILLUSTRATION TO DIGITAL INTERACTIVITY (BASED ON «THE WIZARD OF OZ»)

  Olena Lykholat, Hanna Myronova, Veronika Yelyseieva

  82-98

  • PDF (Українська)

• REPRESENTATION OF “SHANSHUI” IN CONTEMPORARY CHINESE OIL PAINTING

  Fan Liu

  99-105

  • PDF (Українська)

• IMPROVEMENT OF AESTHETIC AND ERGONOMIC INDICATORS IN HEATED CLOTHING BASED ON A COMPARATIVE ANALYSIS OF ANALOGUES

  Nadiia Romanivna Liuklian, Kalyna Livianivna Pashkevych

  106-114

  • PDF

• MARKETING OF MUSEUM EXHIBITIONS IN THE MODERN INFORMATION AND COMMUNICATION SPACE

  Myroslav Melnyk, Alina Marchenko

  115-121

  • PDF (Українська)

• INTERDISCIPLINARY APPROACHES TO STUDYING THE INFLUENCE OF INFOGRAPHIC MESSAGES ON THE PROCESSES OF RESTORING CULTURAL AND ARTISTIC CENTERS

  Anatoliy Moroz

  122-131

  • PDF (Українська)

• THE SYNTHESIS OF CLASSICAL AND DIGITAL ARCHITECTURAL GRAPHICS IN THE DESIGN OF THE SECOND HALF OF THE 20TH CENTURY

  Oksana Perepelytsia, Olena Konshyna, Ruslan Dashinskiy

  132-136

  • PDF (Українська)

• METHODS OF REPRESENTING CORPOREALITY IN TEACHING PAINTING AT NAFAA

  Yevgen Piskunov

  137-141

  • PDF (Українська)

• ARTISTIC REFLECTION IN THE PERSONAL DIMENSION OF PAINTERLY IMAGE-MAKING

  Mykola Pichkur, Olha Muzyka, Olena Semenova, Yaroslava Holubenko

  142-155

  • PDF (Українська)

• NATIONAL MUSEUM-RESERVE OF UKRAINIAN POTTERY: FROM CRAFT TO ARTISTIC FORM

  Olga Plokha

  156-160

  • PDF (Українська)

• MEDIA ART AS A FORM OF VISUAL COMMUNICATION

  Hanna Polietaieva, Serhii Sheinyk

  161-165

  • PDF (Українська)

• THE SACRED SYMBOLISM OF BINOCULARS OF THE TRYPYLIAN CULTURE

  Ivan Puzenko, Yuliia Khalmuradova

  166-172

  • PDF (Українська)

• IMAGE OF THE COAT OF ARMS IN THE EXHIBITION PROJECT ‘SYMBOLS OF IDENTITY’

  Mariia Rakytianska

  173-182

  • PDF (Українська)

• BUKOVINSKY KOVAL ILYA POPYUK – MASTER AND TEACHER

  Oleksii Rohotchenko, Svitlana Rohotchenko

  183-190

  • PDF (Українська)

• SKETCHES AND SKETCHES AS A FACTOR IN THE DEVELOPMENT OF CREATIVE ABILITIES

  Galyna Savchyn

  191-197

  • PDF (Українська)

• THE EVOLUTION OF HOTEL INTERIOR SPACE: THE TRANSFORMATION OF FORMATION PECULIARITIES

  Nataliia Skliarenko, Kristina Koruka, Roksolana Dudka

  198-206

  • PDF (Українська)

• GLOBAL PRACTICES OF DIGITAL REPRESENTATION OF MUSEUM COLLECTIONS BASED ON CURRENT EXAMPLES

  Olha Daniilivna Sosik

  207-211

  • PDF

• THE EMERGENCE OF DIGITAL GRAPHICS AND THE SPECIFICS OF ITS APPLICATION

  Serhii Spodeniuk, Oleh Nedoshytko, Oksana Perepelytsia

  212-217

  • PDF (Українська)

• ABSTRACT LANDSCAPE IN CHINESE PAINTING OF THE SECOND HALF OF THE 20TH CENTURY – EARLY 21ST CENTURY: A SYNTHESIS OF EASTERN AESTHETICS AND WESTERN FORM (GUAN ZHONG, CHU DE-CHUN, ZHAO WOU-KI)

  Maryna Tokar, Jianxun Zhu

  218-224

  • PDF (Українська)

• CONCEPTUAL ART AS A PHENOMENON OF CONTEMPORARY VISUAL SPACE: PHILOSOPHY AND VISUAL LANGUAGE

  Kostiantyn Khivrenko

  225-230

  • PDF (Українська)

• REPRESENTATIVE PORTRAITS OF ELIZABETH І TUDOR “INVINCIBLE ARMADA”

  Olga Shkolna, Ostap Kovalchuk, Nataliia Dmytrenko

  231-239

  • PDF (Українська)

• ILLUSTRATIVE INFOGRAPHICS AS A MEANS OF EFFECTIVE COMMUNICATION IN POPULAR SCIENCE PERIODICALS

  Olha Shpak, Daria Muzychenko

  240-249

  • PDF (Українська)