No. 2 (2025): Ukrainian Art Discourse

Статті

• BETWEEN FAIRY TALE AND IDENTITY: THE VISUAL IMAGE OF UKRAINE IN THE BOOK COSSACK FAIRY TALES

  Halyna Verheles

  6-12

  • PDF (Українська)

• SYNERGY OF PLASTIC ANATOMY AND ACADEMIC DRAWING IN THE PROFESSIONAL TRAINING OF ARTISTS

  Inna Gurzhiy, Dmytro Korshunov

  13-18

  • PDF (Українська)

• APPLICATION OF NEURAL NETWORKS FOR ATTRIBUTION OF CULTURAL VALUES: METHODOLOGY, RESULTS AND PROSPECTS

  Olha Kalashnikova, Dmytro Prokopovych-Tkachenko

  19-26

  • PDF (Українська)

• ACTUAL FONT AS A SYMBOL OF NATIONAL IDENTITY

  Ihor Kostenko

  27-32

  • PDF (Українська)

• ECOLOGICAL ASPECTS OF RESTORATION: INNOVATIVE MATERIALS AND TECHNOLOGIES IN CULTURAL HERITAGE PRESERVATION

  Roman Krotenko

  33-41

  • PDF (Українська)

• ART AND FASHION OF THE LATE 19TH – EARLY 20TH CENTURIES: MODERN STYLE AND THE FORMATION OF UKRAINIAN NATIONAL IDENTITY

  Myroslav Melnyk

  42-47

  • PDF (Українська)

• TRANSFORMATION OF THE VISUAL IDENTITY OF THE DNIPRO ART MUSEUM: PRACTICES OF GRAPHIC DESIGN AND MUSEUM BRANDING

  Sergii Nesmachnyi, Volodymyr Shostakovych, Olena Kapshukova

  48-55

  • PDF (Українська)

• PIECES IN ART GLASS AND AS DECORATIONS OF HUTSUL CARVED PRODUCTS OF THE LATE 19TH – EARLY 21ST CENTURIES

  Roman Odrekhivskyi, Lilia Ametova

  56-61

  • PDF (Українська)

• THE WORK OF OLEKSANDR DIDYK: TRADITIONAL AND NEW FEATURES IN BLACKSMITHING

  Illia Popiuk

  62-66

  • PDF (Українська)

• MALACHITE, TURQUOISE, EARRING, GLASS, MOTHER OF PEARL IN THE JEWELRY OF UKRAINE IN THE 1950S – 1970S.

  Oleksii Rohotchenko

  67-73

  • PDF (Українська)

• STAGES OF DEVELOPMENT OF THE VASYLKIV MAJOLICA FACTORY DURING THE 1920S – 2020S

  Olga Shkolna, Oleksandr Horbach

  74-85

  • PDF (Українська)