No. 6 (2024): Ukrainian Art Discourse

Статті

• ROLE OF NATIONAL MOTIFS IN MODERN UKRAINIAN ARCHITECTURE DESIGN AND THEIR INFLUENCE UPON GLOBALIZATION TRENDS

  Oksana Bieliavska, Volodymyr Yarovyi

  8-16

  • PDF (Українська)

• GRAPHIC AND ADVERTISING DESIGN IN POSTERS AND POSTERS OF KYIV OF THE XXI–XXI CENTURIES

  Tetiana Bukoros, Oksana Maznichenko, Anatolii Shapoval

  17-27

  • PDF (Українська)

• CHANGES IN THE PARADIGM OF CHINESE LANDSCAPE PAINTING (LATE 1970S – EARLY 1990S)

  Zifeng Wang

  28-34

  • PDF (Українська)

• NATURAL FORMS IN GRAPHIC DESIGN OBJECTS: METHODS OF CREATION

  Nataliia Hiliazova

  35-40

  • PDF (Українська)

• THE PLACE AND ROLE OF CALLIGRAPHIC INSCRIPTIONS IN THE WORKS OF OLEXANDER ZHYVOTKOV

  Jingyuan Guo, Iryna Teslenko

  41-48

  • PDF (Українська)

• ALEXANDRE DE BETAK'S CONCEPTS IN FASHION SHOWS

  Liudmyla Dykhnych

  49-57

  • PDF (Українська)

• PRINCIPLES AND NORMS OF DIDACTIC DESIGN USING THE EXAMPLE OF UKRAINIAN EDUCATIONAL SITES «NA UROK», «PROMETHEUS», «EDERA»

  Olena Kurtseva

  58-63

  • PDF (Українська)

• COMBINING VOICE INPUT AND ANIMATION FOR WEB INTERFACES INTERACTIVIZATION

  Mykola Lukashuk

  64-72

  • PDF (Українська)

• DEVELOPMENT OF A VIRTUAL GALLERY AS AN INNOVATIVE APPROACH TO ART PRESENTATION

  Keyan Liang, Larysa Kornytska

  73-80

  • PDF (Українська)

• PREREQUISITES AND TRENDS IN THE DEVELOPMENT OF CONTEMPORARY ART (THE SECOND HALF OF THE TWENTIETH – EARLY TWENTIETH CENTURY)

  Yuliia Malezhik

  81-87

  • PDF (Українська)

• DUTCH STILL LIFE OF THE XVII CENTURY. FROM THE COLLECTION OF THE КHARKIV ART MUSEUM: STYLISTICS AND TYPOLOGY

  Liudmyla Меlnychuk

  88-96

  • PDF (Українська)

• THE ROLE OF NATIONAL MOTIVES IN CONTEMPORARY UKRAINIAN DESIGN AND THEIR INFLUENCE ON GLOBAL TRENDS

  Oksana Mosendz, Karolina Kasianenko, Karolina Kasianenko

  97-108

  • PDF (Українська)

• TETYANA YABLONSKA’S WORKS 2000–2005: SPECIFICITY OF GENRES

  Roman Moskvitin, Mykhаilo Selivatchov

  109-119

  • PDF (Українська)

• DESIGN OF EDUCATION IN THE DESIGN EDUCATION OF UKRAINE

  Viktoriia Mulkokhainen, Bohdan Kononchuk

  120-127

  • PDF (Українська)

• COLLECTIONS OF WESTERN EUROPEAN PORCELAIN IN MUSEUM COLLECTIONS IN UKRAINE: GAINS AND LOSSES

  Iryna Nesen

  128-134

  • PDF (Українська)

• WALL PAINTING OF THE ASSUMPTION CHURCH OF THE 17TH CENTURY IN THE VILLAGE OF NOVOSELYTSIA IN TRANSCARPATHIA: TO THE PROBLEM OF CONSERVATION

  Andrii Nesterenko

  135-148

  • PDF (Українська)

• EMOTIONAL DESIGN AS A MEANS OF IMPROVING USER EXPERIENCE IN DIGITAL PRODUCTS IN UKRAINE

  Viktor Osadchiy, Liudmyla Bilozub, Volodymyr Maslak

  149-159

  • PDF (Українська)

• ETHNO-HISTORICAL MOTIVES IN DESIGN DEVELOPMENTS OF LYUDMILA SEMIKINA

  Olena Papeta

  160-168

  • PDF (Українська)

• NARRATIVE AND CONTEXTUAL FEATURES OF THE ARTISTIC LANGUAGE OF MODERN COLLAGE (ON THE EXAMPLE OF CITY IMAGES IN ARTWORKS OF 2010–2020)

  Inna Pedan

  169-179

  • PDF (Українська)

• ETHNOCULTURAL TRADITIONS IN THE INDUSTRY OF UKRAINIAN CHRISTMAS TREE GLASS ORNAMENTS

  Alla Rudenchenko, Ostap Kovalchuk

  180-188

  • PDF (Українська)

• DEPICTIVE PRINCIPLES IN THE ARTISTIC VISUALITY OF CHINESE CONTEMPORARY ART: FROM FINE ART NORMS TO DESIGN PRACTICE

  Volodymyr Tarasov, Wang Weike

  189-196

  • PDF (Українська)

• METHODOLOGY OF INTEGRATION OF DIGITAL TECHNOLOGIES INTO INTERIOR DESIGN OF MODERN URBAN SPACES

  Yelyzaveta Chaban, Natalіa Kryvoruchko

  197-207

  • PDF (Українська)

• IRANIAN CARPETS OF THE FARAVAKHAR COMPANY WITH TRADITIONAL PLOT COMPOSITIONS AND PICTURESQUE SCENES

  Olga Shkolna, Ulyana Belnaqita

  208-215

  • PDF (Українська)