No. 4 (2023): Ukrainian Art Discourse

Статті

• APPLICATION OF JAPANESE TRADITIONAL METHODS FOR THE RESTORATION OF EUROPEAN PAPER

  Maria Borysenko

  6-10

  • PDF (Українська)

• COLOR IN THE DESIGN OF EDUCATIONAL MATERIALS FOR CHILDREN 3–6 YEARS OLD

  Olga Galchynska , Olesya Borodiy , Natalya Pshinka, Kateryna Serbinova

  11-21

  • PDF (Українська)

• CASTOMIZATION MEANS IN MODERN FASHION DESIGN: FORMAL-AESTHETIC AND FORM-CREATING ASPECTS

  Vladislava Hurdina , Victoria Budiak , Tatiana Malik , Marina Vasylieva

  22-29

  • PDF (Українська)

• RECREATION OF THE HISTORICAL ARCHITECTURAL ENVIRONMENT OF THE ASSUMPTION CATHEDRAL IN THE CITY OF VOLODMYRY

  Viktor Karpov , Valentina Emelianova

  30-38

  • PDF (Українська)

• EUROPEAN TRADITIONS IN THE LIFE OF THE UKRAINIAN ARISTOCRACY OF THE SECOND HALF OF THE 18th–19th CENTURIES

  Tetiana Krotova

  39-45

  • PDF (Українська)

• ART COMPETITION «PINK BULLDOZER» – YOUTH ART COMPETITIONS IN THE CULTURAL SPACE OF ODESSA (2012–2018, 2023 YEARS)

  Oleksiy Malik , Anna Nosenko

  46-56

  • PDF (Українська)

• PRINCIPLES OF THE APPLICATION OF RED COLOR IN THE DESIGN OF CHINA’S PARKS WHICH ARE ORGANIZED IN DEGRADED AREAS (EXAMPLE OF THE WORKS OF THE BEIJING BUREAU TURENSCAPE)

  Mao Lianze

  57-63

  • PDF (Українська)

• CURRENT TRENDS OF DECORATIVE AND APPLIED ARTS IN UKRAINE

  Olena Mishchenko, Ilona Dorohan , Nataliia Мelnyk

  64-69

  • PDF (Українська)

• INNOVATIVE MEANS OF INTEGRATION OF ART OBJECTS INTO INTERIOR DESIGN AS A WAY OF ENHANCING THE AESTHETICS OF THE ARCHITECTURAL ENVIRONMENT

  Oksana Pylypchuk, Andrіi Polubok

  70-76

  • PDF (Українська)

• SCULPTURE IN THE SOCIOCULTURAL SPACE AS A HAPTIC OBJECT OF PUBLIC ART

  Maryna Protas

  77-87

  • PDF (Українська)

• BACKGROUND OF THE DEVELOPMENT OF THIN CERAMIC ART IN UKRAINE IN THE SECOND HALF OF THE 20TH CENTURY

  Oleksii Rohotchenko, Ostap Kovalchuk , Oleksandr Kriuk

  88-92

  • PDF (Українська)

• STUDY OF TRADITIONAL PAINTINGS IN FINE CERAMICS IN DECORATIVE AND APPLIED ARTS PROGRAM

  Alla Rudenchenko , Yevheniia Lypovetska , Oksana Popinova

  93-97

  • PDF (Українська)

• SYMBOLS AND ARCHETYPES IN THE PAINTING «PRAYER»

  Oleksandr Khrapachov

  98-103

  • PDF (Українська)

• DESIGNING OBJECTS OBJECTIVELY SPATIAL ENVIRONMENT BASED ON PARAMETRISM

  Nataliia Chuhai , Inna Yakovets

  104-110

  • PDF (Українська)

• VALER BONDAR: PAINTING ON GLASS, CREATIVE METHOD, TECHNIQUE, MATERIALS, RESTORATION

  Viacheslav Shulika

  111-117

  • PDF (Українська)

• THE UKRAINIAN VANGUARD IN THE CONTEXT OF PETER BURGER’S THEORY

  Hanna Lymar

  118-126

  • PDF (Українська)