No. 3 (2024): Ukrainian Art Discourse

Статті

• ARTISTIC AND TECHNICAL-TECHNOLOGICAL FEATURES OF ICON PAINTSNG IN STARODUBSHCHYNA

  Nataliia Antonenkova

  6-14

  • PDF (Українська)

• ARTISTIC REARGUARD AS A PHENOMENON OF CONTEMPORARY UKRAINIAN ART

  Olena Balaba, Viktoriia Mazur

  15-21

  • PDF (Українська)

• TRANSFORMATION OF POSTER ART IN POLTAVA PERIOD OF 1980-1990S

  Mykola Bolyuh

  22-27

  • PDF (Українська)

• IMPLEMENTATION OF INTERACTIVE ELEMENTS IN ADVERTISING INFOGRAPHICS

  Ruslan Halyshych

  28-33

  • PDF (Українська)

• SERVICES FOR PERSONAL BRANDING REPRESENTATION AND SOCIAL INTERACTION OF GRAPHIC DESIGNERS

  Yaroslav Hordiichuk

  34-42

  • PDF (Українська)

• THEORY OF UKRAINIAN AVANT-GARDE ART BY OLEKSANDR BOHOMAZOV

  Viktor Karpov

  43-53

  • PDF (Українська)

• EXPERIENCE IN APPLYING MACHINE LEARNING IN THE AUTHENTICATION AND ATTRIBUTION PROCESS OF KAZIMIR MALEVICH'S WORKS

  Serhii Kovalenko

  54-66

  • PDF (Українська)

• EROTICITY IN THE COMICS OF JEAN GIRO: A VISUAL AND CULTURAL ANALYSIS

  Taras Kopanskyi

  67-77

  • PDF (Українська)

• STAINED GLASS WINDOWS OF THE UZHHOROD CATHEDRAL

  Yurii Kopanskyi

  78-83

  • PDF (Українська)

• APPLICATIONS OF THE INTERNET OF THINGS IN PREVENTIVE CONSERVATION

  Antonina Mykolaichuk

  84-89

  • PDF (Українська)

• CURRENT ART OF UKRAINE 2000–2020S: CULTURAL MODEL OF CHANGES

  Costiantyn Rogotchenko

  90-95

  • PDF (Українська)

• «THE NATIVITY OF CHRIST» THREE IMAGES FROM THE 18‑TH CENTURY (THE NATIONAL ART MUSEUM OF UKRAINE COLLECTION): ICONOGRPHIC SOURCES

  Oksana Somak

  96-103

  • PDF (Українська)

• FASHION IMAGE ON THE COVERS OF AMERICAN MAGAZINES OF THE 1910S AND 1920S: THE FEMALE POINT OF VIEW

  Natalia Udris-Borodavko, Iryna Udris

  104-112

  • PDF (Українська)