No. 2 (2024): Ukrainian Art Discourse

Статті

• TECHNOLOGICAL RESEARCH OF TARAS SHEVCHENKO'S WATERCOLORS FROM THE PERIOD OF HIS STUDY AT THE SAINT PETERSBURG ACADEMY OF ARTS

  Olena Andrianova, Svitlana Biskulova

  8-16

  • PDF (Українська)

• PECULIARITIES OF THE DEVELOPMENT OF THE ART OF PAINTING IN THE POLTAVA REGION DURING THE YEARS OF UKRAINE'S INDEPENDENCE

  Mykola Bolyukh

  17-23

  • PDF (Українська)

• ILLUMINATED MANUSCRIPTS IN THE CONTEXT OF INFOGRAPHIC DESIGN

  Andrii Budnyk

  24-32

  • PDF (Українська)

• SYNTHESIS OF TRADITIONAL DESIGN AND INNOVATIVE TECHNOLOGIES IN CREATING A MODERN THEATER SPACE

  Anastasiia Varyvonchyk

  33-42

  • PDF (Українська)

• GRAPHICS BY VASIL CHEGODAR

  Kateryna Voloshyna

  43-54

  • PDF (Українська)

• A WORK OF CONTEMPORARY ART IN THE EXHIBITION SPACE, PERCEPTION AND IMPACT

  Inna Gurzhiy, Dmytro Korshunov

  55-60

  • PDF (Українська)

• DIGITAL ART AND ITS INFLUENCE ON TRADITIONAL ART AT THE BEGINNING OF THE 21ST CENTURY

  Pylyp Kapustin

  61-65

  • PDF (Українська)

• DISCOVERY AND RESEARCH OF MONUMENTAL PAINTING OF DIFFERENT TIMES

  Vasyl Karpiv

  66-77

  • PDF (Українська)

• AVANT-GARDE SYNERGY: EXPLORING INNOVATIONS IN THE WORKS OF MALEVICH AND CONTEMPORARIES THROUGH DATA-BASED ATTRIBUTION

  Serhii Kovalenko

  78-86

  • PDF (Українська)

• ANIME AESTHETICS IN EASEL PAINTING IN CHINA 2000– 2020: INTERPRETATION OF THE THEME OF CHILDHOOD

  Mariia Kovalova, Yiting WU

  87-96

  • PDF (Українська)

• FEATURES OF PLEIN AIR PRACTICE AT KHARKIV ART TECHNICAL SCHOOL (KATS) IN THE 1950s–1970s

  Mariia Kovalova, Yevheniia Nestierova

  97-105

  • PDF (Українська)

• CRAFT ART AS A MANIFESTATION OF THE NATIONAL CULTURE OF MOLDOVA: RESULTS OF SOCIOLOGICAL RESEARCH

  Tetyana Comendant

  106-113

  • PDF (Українська)

• HISTORICAL AND ARTISTIC FOUNDATIONS OF CONTEMPORARY UKRAINIAN PACKAGING DESIGN (BASED ON THE PROJECTS OF KSADA STUDENTS)

  Viktoria Maslak

  114-121

  • PDF (Українська)

• DEVELOPMENT OF THE IMAGE OF A UKRAINIAN GIRL WHILE CREATING DIGITAL ILLUSTRATIONS FOR A 12-MONTH FLIP WALL CALENDAR

  Olena Polishchuk, Daryna Pohosian

  122-131

  • PDF (Українська)

• THE PROBLEM OF AUTHORSHIP AND THE ETHICS OF USING ARTIFICIAL INTELLIGENCE TO CREATE VISUAL WORKS

  Yevhen Sannikov

  132-140

  • PDF (Українська)

• THE BOTANICAL ILLUSTRATION AS A SPECIFIC GENRE OF APPLIED GRAPHICS AND ART

  Maryna Tkachenko, Inna Yakovets

  141-147

  • PDF (Українська)

• VASYL GURIN – ON HIS 85TH BIRTHDAY

  Oleksandr Khrapachov

  148-153

  • PDF (Українська)

• MULTIMEDIA IN THE DESIGN OF THE EXHIBITION SPACE OF THE BABYN YAR MUSEUM AND EXHIBITION COMPLEX

  Mikhail Chernikov

  154-160

  • PDF (Українська)

• THE REFLECTION OF THE TRADITIONAL DNIPROPETROVSK ART SCHOOL IN THE LANDSCAPES OF HEORHII HEORHIIOVYCH CHERNIAVSKYI

  Kostiantyn Cherniavskyi, Tamara Cherniavska, Viktoriia Pylypchuk

  161-168

  • PDF (Українська)

• OLEKSANDR NAIDEN IS A CONTEMPORARY RESEARCHER OF THE ANCIENT TRADITION OF WALL PAINTINGS IN UMAN AND PODILLIA

  Anastasiia Shvydiuk-Bohdan, Mykhailo Selivatchov

  169-181

  • PDF (Українська)