No. 1 (2024): Ukrainian Art Discourse

Статті

• EVOLUTION OF FORMATION AND CURRENT TRENDS IN THE DEVELOPMENT OF ART OBJECTS’ RESEARCH IN THE ULTRAVIOLET RANGE

  Olena Andrianova

  8-17

  • PDF (Українська)

• A COMPARATIVE ANALYSIS OF TWO MINIATURE PORTRAITS OF THE SEVENTEENTH AND NINETEENTH CENTURIES USING MODERN METHODS

  Svitlana Biskulova

  18-22

  • PDF (Українська)

• INFOGRAPHICS IN THE WORKS OF UKRAINIAN CONSTRUCTIVISM: ORIGIN AND SCOPE OF APPLICATION

  Andriy Budnyk

  23-32

  • PDF (Українська)

• AN EMPIRICAL STUDY OF GRAPHIC DESIGN

  Galyna Buchkivska, Oksana Piddubna, Anatolii Maksymchuk, Tetiana Shostachuk

  33-38

  • PDF (Українська)

• ASSEMBLY AS A SEPARATE TYPE OF SCULPTURE RELIEF IN MODERN ART

  Ihor Hlukhenkyi, Viktoriia Pylypchuk

  39-47

  • PDF (Українська)

• NATALIA’S VERHUN PAINTING AND DRAWINGS IN UKRAINIAN MUSEUM COLLECTIONS

  Liudmyla Hudziienko

  48-54

  • PDF (Українська)

• THE IMPACT OF GRAPHIC DESIGN ON CONTEMPORARY REALITIES AND METHODOLOGICAL CONSIDERATIONS IN MODERN EDUCATION

  Oleksandr Demydenko, Mykola Potapenko, Vitaly Kruglyak, Anna Potapenko

  55-60

  • PDF (Українська)

• SYMBOLISM OF WHITE COLOR IN THE TRADITION OF EMBROIDERED SHIRT AS A KEY ELEMENT OF THE ARTISTIC IMAGE OF THE UKRAINIAN FOLK COSTUME

  Svitlana Dolesko

  61-68

  • PDF (Українська)

• CREATIVSTY DETERMINANTS IN INFOGRAPHIC DESIGN

  Alla Diachenko

  69-76

  • PDF (Українська)

• ARTISTIC IMAGES IN THE PAINTING OF OLEKSANDR KODENKO: ANALYSIS AND INTERPRETATION

  Valeriia Zhosul

  77-82

  • PDF (Українська)

• A MECHANISM FOR IMPROVING THE INTERACTIVITY OF WEB APPLICATION DESIGN AS THE BASIS OF AN AUGMENTED REALITY VISUALIZATION SYSTEM

  Yuliia Zozulia

  83-91

  • PDF (Українська)

• MINIATURE ART THROUGH THE PRISM OF TIME: EUROPEAN PORTRAIT COLLECTIONS IN MUSEUMS

  Tetiana Zuziak

  92-99

  • PDF (Українська)

• EDUCATIONAL MANAGEMENT OF THE FACULTY OF ARCHITECTURE, CONSTRUCTION AND DESIGN OF THE NATIONAL AVIATION UNIVERSITY (2020–2023)

  Viktor Karpov

  100-112

  • PDF (Українська)

• UNRAVELING THE INFLUENCE OF KYIV PERIOD: EXPERT ATTRIBUTION OF KAZIMIR MALEVICH’S “FEMALE TORSO NO. 1”

  Serhii Kovalenko

  113-122

  • PDF (Українська)

• PRINCIPLES OF BIOPHILIC DESIGN IN FORMING THE TERRITORY OF HOTEL COMPLEXES

  Svitlana Kryvuts

  123-128

  • PDF (Українська)

• THE PROBLEM OF PRESERVING THE WOODEN ARCHITECTURE OF TRANSCARPATTIA – TODAY’S PROBLEMS

  Maksym Malylo, Kostyantyn Chernyavsky

  129-135

  • PDF (Українська)

• PORTRAIT AND MONUMENTAL PAINTING OF KARL AREND (1815– 1876): A STUDY OF AUTHORSHIP AND STYLISTIC INFLUENCES

  Iryna Mishchenko

  136-140

  • PDF (Українська)

• PLASTIC ANATOMY IN ART...

  Stepan Pisyo

  141-147

  • PDF (Українська)

• THE INFLUENCE OF STUDYING IN EUROPEAN COUNTRIES ON THE PAINTING OF A. MANEVICH, M. TKACHENKO, S. KOSTENKO M. BASHKIRTSEVA

  Anatolii Pohorilyi

  148-153

  • PDF (Українська)

• BIOPHILIC DESIGN AS A BASIC CONCEPT IN FORMING THE LEARNING SPACE OF A SECONDARY SCHOOL

  Ksenia Poimanova

  154-159

  • PDF (Українська)

• MINIATURE PORTRAITS OF ELIZABETH I BY NICHOLAS HILLIARD AS A TOOL FOR PROPAGANDA ROYALTY

  Yuliia Romanenkova

  160-165

  • PDF (Українська)

• SOUVENIR AND GREETING “ARCHITECTURAL” POSTCARDS-KIRIGAMI – A MODERN SPHERE OF APPLICATION OF TRADITIONAL UKRAINIAN CARVING

  Olena Svitlychna, Iryna Udris, Olena Zalevska

  166-179

  • PDF (Українська)

• TRADITIONAL CLOTHING OF UKRAINIANS IN THE CONTEXT OF MODERN ETHNODESIGN

  Ilona Syvash

  180-188

  • PDF (Українська)

• THE FORMAT OF THE ARTIST’S ACTIVITY: AT THE INTERSECTION OF SKILL, CREATIVITY AND MENTORING

  Mykhailo Sydor

  189-194

  • PDF (Українська)

• THE USE OF COLOR, FORM, AND COMPOSITION TO CREATE AN EFFECTIVE ARTISTIC IMAGE IN SOCIAL POSTERS

  Yurii Sosnytskyi

  195-203

  • PDF (Українська)

• CONTEMPORARY TRENDS IN DEVELOPING PROFESSIONAL COMPETENCE OF STUDENTS IN THE FIELD OF VISUAL ARTS

  Zhanna Yasenytska, Galyna Savchyn

  204-211

  • PDF (Українська)