No. 2 (2023): Ukrainian Art Discourse

Статті

• AREAS OF POPULARISATION OF THE UKRAINIAN BEADWORK TRADITION IN CONTEMPORARY FOLK COSTUMES

  Olena Afonina

  6-13

  • PDF (Українська)

• BORROWINGS AS AN ARTISTIC AND TECHNICAL DEVICE OF ART MEMES CREATION

  Anna Bilyk, Olena Chepelyuk

  14-20

  • PDF (Українська)

• AUGMENTED REALITY TECHNOLOGY AS A TOOL FOR OPTIMIZING DESIGN WORK IN INTERIOR DESIGN

  Valeriia Boiko

  21-27

  • PDF (Українська)

• FEATURES OF CULTURAL NATIONALISM IN MUSEUM AND GALLERY ACTIVITIES OF DECOLONIZED COUNTRIES OF AFRICA

  Kateryna Gamaliia, Yevheniia Artemenko

  28-35

  • PDF (Українська)

• SACRED LANDSCAPE IN THE ART OF THE RENAISSANCE ERA

  Liliia Gnatiuk

  36-45

  • PDF (Українська)

• DIGITAL ILLUSTRATION IN THE CONTEXT OF THE RUSSIAN-UKRAINIAN WAR

  Antonina Dubrivna, Inga Yermak

  46-52

  • PDF (Українська)

• NINA FEDOROVA’S CREATIVE WORKSHOP IN THE ARTISTIC IMAGE OF KIEV (JUGS)

  Alla Diachenko

  53-64

  • PDF (Українська)

• TAKING INTO ACCOUNT ENVIRONMENTAL AND ERGONOMIC INDICATORS WHEN CREATING A DESIGN OF A MODERN CHILDREN’S TOY PROJECT

  Nataliia Manchuk

  65-72

  • PDF (Українська)

• HISTORICAL AND ARTISTIC ASPECT OF THE ORIGIN OF THE TERM «PLASTIC ANATOMY»

  Anastasiia Melnychuk

  73-84

  • PDF (Українська)

• MYKOLA HLUSHСHENKO’S «SELF-PORTRAIT» OF 1923: IN THE MIRROR OF THE RENAISSANCE

  Maryna Ponomarenko

  85-91

  • PDF (Українська)

• PAINTINGS “BREAD” BY TETYANA YABLONSKA AND “BREAD – STATE” BY TETYANA STAROSELSKA: A COMPARATIVE ANALYSIS

  Oleksiy Rogotchenko

  92-96

  • PDF (Українська)

• GRAPHIC DESIGN AS A POWERFUL PROMOTER OF NATIONAL HERITAGE (ON THE EXAMPLE OF PRODUCTS IN THE VYTYNANK TECHNIQUE)

  Olena Svitlychna, Iryna Udris, Olena Zalevska

  97-107

  • PDF (Українська)

• PRINCIPLES OF CREATIVITY IN LEARNING ART PRACTICE: ASPECTS OF MASTERING ART GRAPHICS

  Mykhailo Sydor

  108-113

  • PDF (Українська)

• REPRESENTATION OF PHYSICALITY IN FASHION PHOTOGRAPHY OF THE XXI CENTURY: AFFECTIVE ASPECT

  Iryna Skoryck

  114-120

  • PDF (Українська)

• COURAGE – TO BE A GENIUS MARIA PRYMACHENKO

  Liubava Sobutska

  121-129

  • PDF (Українська)

• THE ORIGINS OF NEO-EXPRESSIONISM AND ITS MANIFESTATIONS IN THE ART OF UKRAINIAN ARTISTS OF THE «NEW BEND» GROUP

  Iryna Solіarska-Komarchuk

  130-135

  • PDF (Українська)